Essentially, it’s an audio input channel without an associated track, through which a connected synth, drum machine, etc, is fed into the mix and treated as an internal audio signal, complete with effects, automation, and – assuming the source is also being triggered from a MIDI track – inclusion in bounces and exports. The new Aux mixer channel type streamlines the integration of external instruments into Studio One projects. Clip Gain Envelopes facilitate sample-accurate volume automation directly within individual audio regions, providing a far more targeted alternative to compression or regular volume fader automation.
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PRESONUS STUDIO ONE PROFESSIONAL SOFTWARE
As with previous iterations, Studio One 5 comes in two versions: the top-tier Professional edition and the far cheaper, lower-spec Artist edition but for this review, we’re only looking at Studio One 5 Professional – see the PreSonus website for more on its scaled-down sibling.īefore we crack on, we should also point out that you can buy Studio One 5 outright or as part of the new PreSonus Sphere subscription service, which gets you all the company’s software (Studio One Professional and all its plugins, Notion, and a ton of sample-based instruments and loops), and various collaborative and networking tools, for a monthly or annual fee.
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